As such the gain change that tracks the music is in sync and symmetrical about the content. The envelope it already has from the analysis. Unlike conventional dynamics processing, it doesn’t use attack – decay envelope extraction. You create a transfer function to map the input average level to a new output average level and Har-Bal uses it to figure out what gain to apply dynamically prior to the limiter at any point in time. New features!! Dynamics ProcessingThe dynamics processing in Har-Bal is based entirely on the average level envelope that you see in the time-line. It’s an interactive process of listening and seeing and experimenting with changes. We don’t suggest you simply trust what you see and go by that. More the case that when you are struggling to hear what is wrong (but you know something is wrong) it can give visual insight. It does not mean give way to your eyes if your ears tell you everything you need. IntuitMatch and IntuitQ – “Eyes to the ears” is a more realistic slogan that we like. Loudness Compensation – Har-Bal leaves the initial volume level unchanged even after performing spectral correction (EQ changes) thanks to its “loudness compensation” algorithm. Har-Bal updated to version 3.7 Har-Bal 3.7 Available for Mac and PC Match Loudness – Will match your track to the perceived loudness of any commercial recording you input into Har-Bal. Upgrade from version 2.3 for US$41.95, Upgrade. Har-Bal version 3.7 can be purchased and downloaded immediately through RegNet by following this link.
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